James Dickson Innes (1887-1914), Arenig, North Wales, 1913, oil on wood, 85.7 x 113.7 cm, Tate Britain.
Max Ernst (1891-1976), Thirty-three Little Girls Set Out for the White Butterfly Hunt, 1958, oil on canvas, 137 x 107 cm, The Thyssen-Bornemisza Collection.
Pierre-Auguste Renoir (1841-1919), Luncheon of the Boating Party, 1880-1881, oil on canvas, 129.9 x 172.7 cm, The Phillips Collection, Washington, DC.
Ralston Crawford (1906-1978), Overseas Highway, 1939, oil on canvas, 45.7 x 76.2 cm, Thyssen-Bornemisza Collection, 1978.
Tom Thomson and the Group of Seven developed an artistic language that captured the unique qualities of the Canadian landscape. Here, Nils Ohlsen explores their links with Scandinavian art of the 19th century.
Edward Wadsworth (1889-1949), Extruded Tubing (1942-1944), tempera on paper, 35 x 35 cm, Private collection.
Adolf Wölfli (1864-1930), The Helvetia Cathedral in North-Amazon-Hall, 1911, pencil and coloured pencil on newsprint, 99.5 x 145.5 cm
Francisco Goya (1746-1826), The Third of May 1808, 1814, oil on canvas, 268 x 347 cm, Museo del Prado, Madrid.
Emil Nolde (1867-1956), Mask Still Life III, 1911, oil on canvas, 74 x 78 cm, The Nelson-Atkins Museum of Art.
Ford Madox Brown (1821-1893), The Last of England, 1855, oil on panel, 75 cm x 82.5 cm, Birmingham Museum and Art Gallery.
John Minton (1917-1957), North Country Industrial Town, 1945, oil on canvas, 53 x 76 cm, Picker House.
William Etty (1787-1849), Hero, Having Thrown herself from the Tower at the Sight of Leander Drowned, Dies on his Body, 1828, oil on canvas, 75 x 92.5 cm, Tate.
Peter Doig (b. 1959), Red Boat (Imaginary Boys), 2004, oil on canvas, 200 x 186 cm.