Eugène Delacroix (1798-1863) Scenes from the Massacres at Chios (1824; Paris: Musée du Louvre)
Cornelius Norbertus Gijsbrechts (c.1610 – after 1675), Trompe l’oeil. The Reverse of a Framed Painting, 1670
The ruin has been an emotive and imaginative feature of art since the Renaissance.
Five women artists from the Southern hemisphere who refuse to stay at home.
Ibraaz’s Uncommon Grounds is Hyperallergic‘s best art book of 2014.
The people have spoken – Black Artists in British Art has made ICA’s shortlist for book of the year.
Joaquín Sorolla (1863-1923), End of the Day, Jávea, 1900, oil on canvas, 88 x 128 cm, Private collection.
A new book and exhibition examining the art of the Dominican and Franciscan orders in Renaissance Italy.
We caught up with Anthony Downey to talk about Uncommon Grounds, art and media practices in North Africa and the Middle East.
Derek Jarman, Avebury Series No.4, 1973. Northampton Museums & Art Gallery.
Join us for the launch of Ibraaz’s Uncommon Grounds at the Delfina Foundation on Friday 5 September.
Mary Heilmann (1940-), Little 9×9, 1973, acrylic on canvas, 55 x 55 x 4.5 cm, Ursula Hauser Collection.
Mary Linwood (1755-1845), Hanging partridge, after a painting by Moses Haughton the elder, crewelwork embroidery, 62 x 72 cm, privately owned.