Amin Saikal believes it’s time for the US and its allies to take stock of their past mistakes in the Middle East and act in ways that could help the people of the region.
Ezzat El Kamwari’s ‘absorbing and kaleidoscopic retelling of Egyptian history.’
Rowland Hilder, Hartley’s Jam advertisement, first appeared in Picture Post on 9 December 1939.
Courtesy of the BFI, we have three pairs of tickets to give away for their Discover Arab Cinema series.
We have five signed copies of Wim Wenders’ Inventing Peace: A Dialogue on Perception to give away.
With thousands of Yezidi refugees currently besieged by forces from the Islamic State (Isis) in Iraq, we have decided to bring forward the publication of Birgül Açikyildiz’s The Yezidis.
Mark Corner explains why the key to understanding the EU is recognising that it is unlike anything else.
Fred A. Farrell (1882-1935), ‘Surrender Englander!’ – Neuville St Vaast, chalk, bodycolour and ink on dark brown paper.
Eddie Chambers looks at five Black British artists who represent the fascinating sweep of a neglected art history.
David Patrikarakos has written for the New Statesman on how the MH17 disaster turned a conflict global.
Kerry Brown has provided opinion on Xi Jinpings’s move to investigate Zhou Yongkang for corruption in the Guardian, Washington Post and Wall Street Journal.
Lara Pawson, author of In the Name of the People, selects five essential reads to initiate the uninitiated into the politics, culture and history of Angola.
Mary Heilmann (1940-), Little 9×9, 1973, acrylic on canvas, 55 x 55 x 4.5 cm, Ursula Hauser Collection.